Spiritual
Can ayahuasca heal the crisis of capitalism?
“Ayahuasca is going global“, said a prominent psychedelic researcher recently, and it is also going mainstream as part of journeying across the planet. In the Californian TV series “Weeds” the leading act, Marie-Louise Parker’s character, Nancy Botwin, drinks ayahuasca under rather suspect circumstances with the leader of a drug-, guns- and human- trafficking Mexican mafia, who is also the mayor of Tijuana for added comic value. The ceremony is led by a young shaman who is told by the spirit of the medicinal brew not to give it to Nancy; she is not ready for it, so to speak, but he uses the words “I should not give it to her” and the gangster boss says “that’s alright, I’ll give it to her then”. Not off to a good start, but then again what do those shamans know about what a mobster’s girlfriend needs?
Watch the ayahuasca sequence here:
There are various issues at play here. Firstly, the most obvious one of the slightly forced drinking where the strong male insists that the little girl drinks despite warnings by the learned practitioner. That, however, is not so bad, – perhaps he knew better..
The Warped Mind of the Ecofascism Conspiracy Theorist
Colonos recently referred to David Suzuki in the context of DiCaprio’s documentary about climate chaos and change, the appropriately titled “11th Hour” (link should be generated automagically below) – and doing a bit of googling for that purpose led me to some presumptuous nonsense? about Suzuki being an “ecofascist”:
“Eco fascism, can be used in two different ways:
- For specific elements of radical environmentalism which are openly affiliated with neo-fascism, or which share conceptual similarities with fascist theories. It is used critically from an external source, and somewhat less commonly used from within as a self label, to refer to various white nationalist and third positionist groups who incorporate environmentalist positions into their ideology.
- The term is also used as a political epithet by political conservatives to discredit deep ecology, mainstream environmentalism, and other left and non-left ecological positions, and less frequently by political leftists to discredit environmental movements they see as non-left such as deep ecology.”
So who do the conspiracy theorists think are behind this socalled ecofascism? None others than the very same kind of people that actual, radical environmentalists – anyone that I have ever met, and it is quite a few anyway – would call the greenwashers:
“Greenwashing is the unjustified appropriation of environmental virtue by a company, an industry, a government, a politician or even a non-government organization to create a pro-environmental image, sell a product or a policy, or to try and rehabilitate their standing with the public and decision makers after being embroiled in controversy. Read the rest of this entry »
Navigating the fractral geometry of emotions on wings of clarity.
On reading the previous entry on Ayahuasca a good friend speculated on the plant spirit’s helpfulness in the context of creativity – the big question: what to do next?
This is a kind of reply.
The big questions about taking steps, and about moving through time and space as a creative being, can indeed be reflected on, for want of a better term for the kind of clarity that the plant spirits induces, with Ayahuasca.
Ayahuasca: the fire this time!
Trip report (wham bam thank you):
Third time drinking ayahuasca with the local curandero. The first two sessions were ritual and moments of acquaintance with each other and with the plant spirit. With concentration and focus we encountered ayahuasca faintly in a dream like trance. El curandero kept saying that there was only one plant in the drink – he only works with one plant at a time, although he is well versed in a wide range of plants, including San Pedro and the dangerous Angel’s Trumpet:
Ayahuasca: not the fire next time!
Reflections on the second encounter with the spirit of Ayahuasca and visions of much more to come. The point of departure is transgression, destination unknown.
James Baldwin wrote The Fire Next Time in a transgressive manner, one of coming to terms with the white man’s (and woman’s) oppression of themselves and of all other races, who consequently are subjected, also, to the oppressing force’s self-afflictions, thus a double terror, manifesting throughout history in atrocities that leave fiction no place to roam for novel horror. It was in a revolutionary voice that he wrote, in an oppositional and confrontational voice. It was a call for action:
–a burnt out skeleton from the closet–
In the Spirit of Guayusa
It kind of figures, somewhere on the agenda, along the lines, if I may, that the conversation ought to wear out its welcome and elephantly touch upon the psychedelic realm – after all, we are in the Ecuadorian Amazon basin, whence many shamanic stories come. Then again, if one looks hard enough, any place will have such accounts (or at least a tapestry of fates Inquisitioned), won’t they?
Have you talked to your soul today? Excuse me, Mister, how is your spirit. “I’m in great spirit!”.
So what is there to tell, what kind of tales can we wag?
The rain came just a few minutes ago – it always comes and it – yes, “IT”, has taken some sort of, dare I say?, sentient form. One finds oneself referring to the rain as a colleague or companion, someone to be reckoned with; for it always comes, at some point, and often times violently so. And it just came like that. I could hear it in the distance, turned to look out of the window and I could see it coming in from the hills. Slowly, steadily and the volume rising threateningly, but also comforting: air condition coming up, Massa! It brings air, oxygen, space to breathe in, – and out, deeeeep in-breath. Ahhh.. The rain, my friend.
Having just medically applied some (non-conformist, afternoon) Shiva meditation to a slight, dizzying lingering feeling of perhaps two Cuba Libres too many last night, it is obvious that all channels were open, no signals crossed, and she, is it a she?, I don’t know, but s/he blazed right through me as the distant sound of the tin roofs enveloped me in a wonderful inferno of pure music (read: the horrible sound of tropical, torrential rain on tin roofs). Wow! I liked that.
That is probably the second spirit I have come across around here. For such a presence must indicate that the rain is a, has a spirit? Or, actually, come to think of it, what is a spirit?